This week I’m taking a brief respite from my series on The Top 5 Clichés in Fantasy Fiction in honor of Saint Patrick’s Day, one of my all-time favorite holidays!
Appropriately, I’m focusing today’s post on Patrick: Son of Ireland by Stephen R. Lawhead. I had little appreciation for the story of Saint Patrick until I began researching my first novel, which begins in Derry in what is now Northern Ireland. Prior to that, Saint Patrick’s Day was merely a good excuse to drink Guinness at a raucous Irish pub. But once I began my research all that changed, especially after reading How the Irish Saved Civilization by Thomas Cahill. I cannot recommend this book more strongly to anyone who is of Irish descent or who’s even remotely interested in the amazing role the Irish played in the survival of Western civilization during the Dark Ages.
Patrick was a Romanized Briton and the son of a noble family. He was not born “Patrick,” and his original name remains in question, yet at least one source has him named Succat. Patrick served his enslavement as a shepherd to an Irish chieftain named Miliucc, who ruled a kingdom in the hills of Antrim. According to legend, Patrick remained captive for six years before escaping after hearing a voice in a dream about a trader’s ship that would return him to Briton. After finding the ship and returning to home, Patrick eventually made his way to Gaul at a time when hordes of Germans were crossing the Rhine to engage the Roman army. There, Patrick studied religion, became a priest, and later a bishop – the title he held when he returned to Ireland as one of its first and most famous Christian missionaries. It is with this background that I read Stephen R. Lawhead’s Patrick: Son of Ireland.
The bards and druids of Lawhead’s Ireland can use magic, which firmly places this novel on the fine line between historical fiction and historical fantasy. Many of the druids and bards who teach Patrick are also members of the Ceile De, essentially Christian druids who believe in the one true God. Patrick ultimately becomes one of the Ceile De; he never becomes a priest or a bishop, though this is not necessarily foreclosed because the novel ends before the reader learns what becomes of Patrick later in life.
Not surprisingly, this plot point is controversial for those who feel the novel downplays or even eliminates Patrick’s Roman Catholicism. After all, they argue, the Roman Catholic Church would never have canonized a druid. But I view Stephen R. Lawhead as taking artistic license for the sake of his story. And overall, his story works – especially the two-thirds or so of the novel that take place in Ireland.
Although it was not what I expected, I enjoyed this novel, very much at times. And while the author may have taken artistic license with his subject, it works well in the end, telling a story of faith once lost only to be discovered again.