Wednesday, May 31, 2017

Which Mysteries Will Be Solved In “The Leftovers” Finale?

Season 3 of The Leftovers on HBO was a surprisingly short 8 episodes, and with only one episode left, I’m beginning to suspect some of the show’s biggest mysteries will never be solved.



How does Kevin keep rising from the dead?


In season 2 – which in my view was the show’s best season by far – Kevin dies not once, but twice. Both times he ends up in that bizarre hotel that represents Purgatory (or some other form of the afterlife), providing the series’ best two episodes: “International Assassin” and “I Live Here Now.” I always chalked up Kevin’s supernatural resilience to the “miracles” of Miracle, Texas. On the show, Miracle was the only place on earth where no one vanished in the Sudden Departure, and the whole place reminded me a bit of the island on LOST (also created by showrunner Damon Lindelof). And in Season 2, we saw a dead bird come back to life in the opening episode, so it appeared the land’s “magic” could ressurect the dead.

This notion was reinforced in episode one of Season 3, when Matt told Kevin he can’t die so long as he’s in Miracle. But last episode, it happened again, far far away from Miracle, Texas. The episode, which played like a sequel to “International Assassin,” was great, but only raised more questions about how Kevin keeps pulling this off. Is he truly some type of “savior,” like Matt believed? I doubt it, given where the show seems to be going. But somehow Kevin has become the most resurrected man in history. There’s only one episode remaining, and we have Nora’s entire storyline to wrap up, so my guess is we’ll never learn the secret to Kevin’s immortality.


What was the Sudden Departure?


This has been the biggest question on The Leftovers since the series premiered. Was the Sudden Departure, where 2% of the world’s population vanished into thin air, the biblical Rapture? Season 1 went out of its way to suggest that might not be the case. After all, many of the departed were not good people: Nora’s cheating husband; the woman who had sex with Kevin on the day of the departure knowing he was married; and Gary Busey. (In all seriousness, the show has had fun with this for three seasons, but who’s to say Bucey wouldn’t be the first to go in the biblical Rapture?)

Season 2 did nothing to solve the big mystery, but Season 3 has at least offered the possibility that we’ll get an answer. In episode 2 (titled “Don’t’ Be Ridiculous”), Nora is contacted by a secret group of physicists who discovered that Low-Amplitude Denzinger Radiation was detected at the site of each departure. Based on this discovery, they have created a machine that utilizes this radiation to transport people to wherever their loved ones departed. Either that, or the scientists are defrauding people into giving up their life savings only to be incinerated by the machine. In any event, Nora is so desperate to be with her departed children, she’s willing to risk her life in this mysterious device to be with them.

I suppose next episode she could be transported to heaven or wherever the departed may be, though I doubt it. This appears to be the fundamental mystery the show is determined to remain unsolved. So just like we never really learned what the island was on LOST, my bet is we’ll never learn what the Sudden Departure really was. In the words of the Iris DeMent song that opened every episode of Season 2 (and which I suspect will open the season finale), we’ll have to “let the mystery be.”


Will we learn what happens to Nora in the machine?


This is the one question I believe we might get the answer to. The mysterious departure machine has been one of the driving plot lines in Season 3, and Nora is desperate enough that I think she’ll find a way to get in it. Also, we have the strange scene at the end of episode one where a woman named “Sarah” – who looks and sounds a lot like an older Nora – is gathering up doves someplace near a church and denies ever knowing someone named Kevin. Were we glimpsing the future? It sure looked like it.

So, could the machine actually be transporting people forward in time? Or to some alternate reality? All that remains to be seen. But for a show that’s taken Kevin to a bizzaro Purgatory three times now, I truly hope it takes us to wherever Nora goes.

That said, even if these questions are never answered, The Leftovers has been a wonderful and thought-provoking show. But that’s just my take. How will you feel if mysteries remain unsolved after the series finale of The Leftovers?

* Images courtesy of Rotten Tomatoes

Friday, May 19, 2017

“The Leftovers” vs. “American Gods”

This time of year, we’re usually nearing the midpoint of Game of Thrones. (In fact, it was around this time last year the showrunners gave us “The Door”). But not this year. So while we wait, HBO and Starz have pitted two of their top shows against one another – The Leftovers and American Gods – airing them both in the 9 PM timeslot on Sundays. 


This makes for long Sunday nights as I DVR one show and usually watch it immediately the first show ends. But it’s also led to an inevitable comparison between two shows about faith, religion, and what it means to believe.

The Leftovers


Right now, this is my favorite of the two. If you haven’t seen it, do yourself a favor and start binge-watching now. 


The Leftovers takes place after a rapture-like event called the Departure where 2% of the world’s population simply vanished. The first season, which was well done, was based on a novel by Tom Perrotta. It also had a spectacular cast that included Justin Theroux as protagonist Kevin Garvey, as well as Liv Tyler and Carrie Coon (of Gone Girl), who plays Nora Durst, a woman who lost her entire family in the Departure. By the end, Season One left genuine questions about whether the Departure was ever the “biblical” Rapture (after all, a lot of bad people disappeared that day), and it dealt more with themes of loss and coping with that loss than it did with faith or religion.


If Season One was good, Season Two was great. From the beginning of that season, the series’ co-creator, Damon Lindelof, had the show in full LOST mode. (Like when LOST was the best show on television.) Season Two gave us our first glimpse of the afterlife (or purgatory at least), had a main character rise from the dead, and made it clear there’s a whole lot of supernatural stuff going on behind the scenes.

Now, we’re at the midpoint of the final season and the show is still in full-on LOST mode, careening toward the series’ finale. And this time, it seems all about religion (Episode One was titled “The Book of Kevin”; later this year we’ll get the “The Book of Nora”). Only a few days remain until the seventh anniversary of the Departure, when many (including Kevin’s father and Nora’s brother) believe some apocalyptic event will occur. This show has mysteries heaped on mysteries, much like LOST did in its prime. And with only 5 episodes left, I’m looking forward to every one of them. 


American Gods


We are only 3 episodes into the much-anticipated Starz series based on the fantasy epic by Neil Gaiman. This show seemed so well cast and received so much hype, my expectations may have been a bit overblown. Though I did predict it would have a hard time standing up to the novel, and on that point I’m beginning to think I was right. 


The show has stayed fairly true to the book, though they’ve moved some scenes around and included a lot of additional material. Most of the added stuff has come in the form of “Coming to America” scenes. In the book, these were short chapters that explained how, over time, immigrants have brought their old beliefs and folklores with them to America. These beliefs now manifest themselves as the old gods, whose conflict with the “new” gods such as the media and technology forms the fundamental plot of American Gods. The show, however, is giving us one or more of these vignettes every episode. Some have been very good, but they have had the effect at times of slowing the story down.

Another gripe, if you will, has been the soundtrack. A lot of the show uses grim and foreboding tones like an old horror movie. (It reminds me of that bad Jack Nicholson film Wolf for some reason.) But thankfully, this isn’t always the case. The scenes with Shadow and Mr. Wednesday continuing their buddy road trip through America often play old songs in the background, in a way that is upbeat or apropos to the scene. Not surprisingly, the Shadow and Mr. Wednesday scenes have been the best by far. They mirror the book’s less serious tone, and I wish the entire show would have embraced this feel. But we’re only 3 episodes in, and there’s still plenty of time for the show to grow on me. And trust me, I don’t plan on missing any episodes.

But those are just my thoughts. Are you experiencing this same dilemma? And if so, which show do you prefer: The Leftovers or American Gods?

* Images courtesy of Rotten Tomatoes and Starz

Saturday, May 13, 2017

Medieval Mysteries: “The Templar’s Cross” by J. R. Tomlin

I’ve been away from the blog for longer than normal because I’m spending most of my free time editing the sequel to Enoch’s Device. I always keep reading, however, and recently finished The Templar’s Cross: A Medieval Mystery by J. R. Tomlin. Here’s my review.


The Templar’s Cross is an intriguing whodunit set in fifteenth century Scotland. The novel’s Sherlock Holmes is a lordless knight named Sir Law Kintour. When his former liege, the Earl of Douglas, is slain in the Battle of Verneuil, Sir Law finds himself searching for a new lord in the Scottish city of Perth.

Sir Law’s only prospect, Lord Blinsele, wants the knight to find the lord’s missing wife and the lover she ran off with. But when the bodies start piling up and Sir Law becomes a suspect, he needs to find the killer and clear his name before he hangs from the gallows. 

The mystery is genuinely good, and eventually involves the titular Templar’s Cross, a relic from the Crusades. But my favorite part was the dialogue, which did a wonderful job portraying the dialect of a medieval Scotsman. (All the “ayes,” “willnae’s” and “dinnae’s” made me smile.) That, along with the author’s attention to historical detail, made me feel like I spent some quality time in fifteenth century Perth. Sir Law is an admirable character, and the protagonist of two more novels in the series. And I look forward to his next mystery.

You can read a preview of the book here.